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Volume 1, Number 2 September 2002 Home | MBW Index

Table of Contents

Bogstad's Bookshelf Kaveny's Bookshelf Shirley's Bookshelf

Laurel's Bookshelf Cindy Penn's Bookshelf Klausner's Bookshelf

Bogstad's Bookshelf
Travel Notes on Books, People and Places in Ireland, Scotland, and UK

Another high point of my trip this summer has been attendance at the Leeds International Medieval Congress held through the auspices of the Leeds International Medieval Institute. This is the 10th year of the congress and I have missed only two of them, once because I was on my way to China in 1995.

I am fortunate to have a few friends in the area, one a technical services/digital library expert in the Leeds City Public Library system, Judith, is the adoptive niece of a dear friend, Bill, who retired from the Bodleian Library, Oxford, about six years ago. You will hear more about him later when I do my piece on Oxford, Philip Pullman and other Oxford fantasists, Colin Dexter and the Oxford mystery writers and recent films set in Oxford. Judith and I, and sometimes Philip, try to meet for dinner at least once a year and compare notes on the state of libraries, our activist projects, as Judith is heavily involved with Nuclear Disarmament, and talk about books. More on her in later accounts.

Other friends in Leeds include John and Mary who have been kind enough to take us into their homes (this is plural as they are just fixing up their second one, which they bought for the garden. Nevertheless they are also turning the house into a work of art, as was their house on the Moors in Yorkshire, but that story will come when I discuss the Brontes, in another essay). John has Fridays off just now (that will probably change soon), so he met me at the Leeds train station, which has been much improved over the last few years, with elevators, food courts, and many other useful amenities. It's also become something of a bewildering experience for the first time visitor, so it was nice to see John, who'd even bought a platform ticket so he could help with my luggage.

We went back to his house and got ready to join Mary at the Leeds playhouse to see a performance of "Dirty Blond," a three-person show about Mae West which was magnificent. Then we retired to their home where they brought me up to speed on their 1) developments in musical taste (I see yet another essay coming up on Jazz, international music, Gaelic and Celtic Revival, York Waites and other English revival groups, etc), 2) tips and plans on gardening, as they design gardens in the spare time from their active careers (he in social services advising, she in medieval studies), their many volunteer activities, and their lives together 3) social, intellectual, administrative, feminist and medieval topics.

They don't do science fiction in great quantities, but I had just, as you know by now, spent a couple of weeks on that before seeing them. I was privileged, along with good food, good friends, and good conversation, to contribute in my own little ways to the magnificent development of their extensive, if embryonic, garden. Then off to the congress on Sunday, July 7 and my first of two all-day tours. A wonderful feature of the Leeds congress, the committee organizes a series of tours and musical events, which are optional but not expensive. We usually tour on Sunday and Thursday so we can go all day, as I did this time. Churches of North Yorkshire on Sunday, July 7 and Medieval Chester on Thursday, July 11.

Now I decided to write about Leeds separately because the congress is Medieval STUDIES which means that you can pursue your own specific interest, as there are about 15 sessions during each 90 minute period for 3.5 days OR, you can do some of your own and then nip into, say, a session on textiles and clothing development that chronicles the history of knitting as it came to Europe from the Middle East, or the beginnings of tailored clothing in Greenland, or you can do Art, Legal History, Carmelite History, medieval women, military history, etc.

I work with women medievalists who look at medieval women in many contexts, including history, literature, and religion. The Society For Medieval Feminist Scholarship is a wonderful resource for women in medieval and related fields of study. They have a discussion list, journal, and a website at: http://smfs.uoregon.edu/.

I also tend to meet up with a group who work on studies in medievalism, the theory of how we USE the medieval in the 20th century (inspired by Norman Cantor's book Inventing the Middle Ages, and the organizational enthusiasm of the retired professor, Leslie Workman and the sponsorship of Univ. of Montana. For more information, contact G. Morgan at: morgan@english.montana.edu or check out the website at: http://www.studiesinmedievalism.com/.

I usually work on comparisons between Chinese and French medieval female figures, like Wu Zetian and Eleanor of Acquitaine, but this year I decided to give a paper on the reasons for devising methodologies that incorporate East and West - that is, as a true comparativist, trained in Comparative Literature, French, Chinese and German - I am sensitive to HOW studies of Chinese women helps us ask different questions about European women, and vise versa.

This brings us to the books I want to feature in my essay, books on Chinese literary and historical female figures which I think we can use to better understand the women of Europe, and which reflect the groundwork done in European Women's Medieval History.

My presentation for Leeds basically suggested books which have been influential in my developing methodology and in providing sources of topics for comparative study, some of which I was suggesting that others might do, as I will not have the time, I am sure. So let me give you a few hints about this perspective by including a full review and two shorter notes (at the beginning). I may have time to tell you more about the Chang and Mou books later, but I reviewed the Chang title more fully for the Midwest Book Review about two years ago.

Women Writers of Traditional China: An Anthology of Poetry and Criticism edited by Kang-I San Chang and Haun Saussy (Stanford Univ. Press, 1999). This vast compendium of women's writing offers very brief introductions but a very large body of texts. It is obviously to be used as a companion textbook where the teacher fills in the requisite background knowledge. The Mann/Cheng collection prints this information along with translations of complete texts.

Presence and Presentation: Women Writing in the Chinese Literati Tradition edited by Sherry J. Mou (St. Martin's Press, 1999). While quite wide-ranging in its topics, Mou's edited volume is a collection of scholarly, topical essays with only limited translations included. It is of most interest from the methodological perspective, that is, how these writers have gone about recovering and verifying details of the lives of historical Chinese women. Each essay is complete and no effort has been made, as in the case of Under Confucian Eyes, to present a chronological picture of Chinese women's lives.

Under Confucian Eyes: Writings on Gender in Chinese History. Mann, Susan and Yu-Yin Cheng, Eds. U of California Press, July 2001. ISBN: 0-520-22276-8. 374 pages, with illustrations. $19.96 (also issued in hardback, ISBN: 0-520-22274-1, $50.00).

Publications on women in Chinese culture have increased exponentially in number since the 1970s, but most of them have dealt with modern Chinese women or with texts about rather than by them. Very few have dealt with periods in Chinese history analogous to the European medieval period, even fewer with theoretical approaches drawn from ongoing feminist debates, and yet fewer with original texts by and about Chinese women. Only a handful has offered actual translations of these texts, with commentary. Under Confucian Eyes fills some of these gaps in our knowledge of women as writers and subjects in China from the 8th century through the 19th century. Translated texts include biographies, drama, fiction, funerary writing, poetry, and a form also common to Western women, letters. While not all of the texts presented are attributed to women, they all contain contextualizing information that expands our knowledge of social gender in China under Confucianism. The texts are representative of the relatively few shorter works that have survived.

This anthology is unique for the combination of analysis, criticism, and translation it offers. A very few anthologies covering pre-20th century Chinese women's writings have been published in the last few years. The most notable of them is Women Writers of Traditional China: An Anthology of Poetry and Criticism edited by Kang-I San Chang and Haun Saussy (Stanford Univ. Press, 1999). This vast compendium of women's writing offers very brief introductions but a very large body of texts. It is obviously to be used as a companion textbook where the teacher fills in the requisite background knowledge. The Mann/Cheng collection prints this information along with translations of complete texts.

Another approach to introducing historical Chinese women is found in the recent Presence and Presentation: Women Writing in the Chinese Literati Tradition edited by Sherry J. Mou (St. Martin's Press, 1999). While quite wide-ranging in its topics, Mou's edited volume is a collection of narrowly topical essays with only limited translations included. Each essay is complete and no effort has been made, as in the case of Under Confucian Eyes, to present a chronological picture of Chinese women's lives.

The Mann/Cheng anthology is distinctive for selecting texts depicting women's everyday lives through their own writings and through official biographies and court documents written by men. The anthology is unusual in that each translator acknowledges the situational and critical details important to understanding each piece in it's original context as well as in our contemporary interpretation. The selections are accompanied by discussions of each text's author or authors (when known), situation of original production, and the influence these texts had on later generations of Chinese women and men. Additionally, each translator represents their individual perspective on the act of translating and the difficulties of each piece. The anthology includes 18 complete texts or collections of texts, rather than the fragments of longer texts often found elsewhere. While ten of the eighteen sections are attributed to male authors, two of the remaining eight are collections presenting many women's voices and four more, several pieces by one woman. The editors' "Guide for Students and Teachers," states that: "The texts are arranged chronologically to supplement the readings in any history course that deals with China, East Asia, or the world between the dynasties of the Tang (618-906) and the Qing (1644-1911)." (p. 9). The editors provide Confucian definitions of the division between public and private spheres and address the differences between Western and Chinese interpretations of this division.

The first 11 translations and essays span the 8th (Tang Dynasty) through the 16th (Ming dynasty) centuries, and may thus be of interest to Western medievalists. The first two selections, "Biography of the Daoist Saint Wang Fenxian," and "Biography of the Great Compassionate One of Xiangshan," should interest hagiographers. The first woman described, Wang Fenxian, was Daoist and the second, Miaoshan, the Great Compassionate One, was Buddhist. Their stories, written by men in official court records, will sound familiar as the two saintly women avoid traditional family roles and pressures, including arranged marriages, and, in one case, suffer death for their beliefs. Included is an excellent chapter on a well-known Book of Filial Piety for Women, a guide to appropriate behavior for women, written for women by "a Woman Nee Zheng," (c. 730 A.D.).

Like medieval Western books and letters designed to instruct women on their proper behavior in the private sphere, as daughters, wives, and mothers, this text uses both religious doctrine, in this case a Confucian/Daoist amalgam, and exemplary figures from everyday life. The translator, Patricia Buckley Ebrey, is an expert on texts of this period and has written extensively about them. Her essay on her own practices as well as on the situation and interpretation of this particular text are invaluable as a guide to the history of Chinese women under early Confucianism in the Tang Dynasty, the value of contemporary feminist theoretical approaches for understanding the texts, their context and original audience (although this text was popular well into the 19th century), and the comparative potential for medievalists working in Western contexts.

The same can be said for discussions of the epistolary tradition in Chinese texts written by women. Two of the selections are letters of instruction and guidance by husbands to their wives and children. However, "Letter to my Sons," by their mother Gu Ruopu (1592-1681), is also interesting. While dated a bit late for comparative use with Western medieval writing, this and other letters offer an indication of a vast and ongoing epistolary tradition for both Chinese women and men from the 12th century on. In her essay on Gu Ruopu, the translator, Dorothy Ko emphasizes the importance or the epistolary form in women's writing while also deploring the loss of so much Classical Chinese women's writing. Letters from the 16th and 17th century take up three sections of the book, providing much information about the literary forms, education, and daily lives of these women.

Under Confucian Eyes is a valuable anthology and would make a good introduction to pre-modern Chinese women and their writing for any reader, especially if they are then likely to go on to more specific collections. Hopefully it is only the first of many to come as it would be useful to have the same self-reflexive, critical, feminist perspectives on earlier extant works by and about women as well as on longer works and collections of less standard ones such as letters, biographies, and funerary writings. The official dynastic biographies, especially, could profit from this kind of analysis that reads between the lines of formal conventions and presents the translator's task as one of creativity and interpretation, casting a critical light on many previous efforts. This collection and a very few others clarify that feminism, has arrived in Chinese Studies and that Western and Chinese theoretical frameworks need to be applied to Chinese writing by and about Chinese women in order for us to truly understand their lives. Under Confucian Eyes has taken us on a great leap forward in the understanding of historical Chinese women and in being able to compare them to women in the West.

If you've enjoyed some of these notes, look for next month's selection which will focus on Oxford and the fiction of Philip Pullman, an author of young adult fiction whose last trilogy, His Dark Materials (The Golden Compass, The Subtle Knife and The Amber Spyglass) has just but optioned for production by the group that is working on the Tolkien, Lord of the Ring series.

Janice M. Bogstad
International Editor, Midwest Book Review
Professor, Women's Studies & Head of Collection Development
University of Wisconsin-Eau Claire, McIntyre Library
http://www.uwec.edu/Library/cd/janice_bogstad.html

Kaveny's Bookshelf
The words from a wonderful late sixties popular song keep running through my mind, perhaps there are some among you who are even old enough to remember it.

"Do you know the way to San Jose", goes the Dionne Warwick Song from 1968 for which she won five Grammy awards according to the official Dionne Warrwick Homepage http://www.enter.net/~lynco/index.html. Which I recommend you check out just to see that in over 34 Years Dionne Warwick has not lost a single microgram of her vibrant beauty and energy.

The reason that San Jose the Mecca of California's Silicon Valley is so much on my mind is because at this very instant my dear friend of over a quarter of a century Richard Russell is driving his 1990 Ford Areo Star laden with forty cases of my books along the way to San Jose via Denver Colorado. San Jose is the site of the 60 the World Science Fiction which takes place August 28th through Sept 2nd, 2002 I have included the URL for your further information. Attendance at this event should run between 6,000 and 8,000 souls all the way from the rawest thirty five year old neo fan who decided to venture out of his parents basement for the first in years to the dean of the worlds living science fiction writers 84 year old Frederick Pohl ,along with hundreds of writers editors artists and, great writers, publishers, media people, and of course a few has beens and wanna- be's. This is the URL Check It out. http://www.conjose.org/index.html.

Since 1977 I have made the Pilgrimage 18 out of the twenty-five World Science Fictions that have taken place and I would add eighteen out of the twenty that have taken place in the United States and Canada. As an aside I wish to mention that Richard Russell along with the editor and chief of this here publication and perhaps four or five other men comprise A band I would be proud to call brother if I were speaking Shakespearean.

I use the word Pilgrimage because my wife and I will be leaving at 4:45 A.M. Shuttle Van from Eau Claire Wisconsin to the Twin Cities to catch and our 9.00 A.M Direct Flight to San Jose where I will meet Richard and my forty cases of books and put on my booksellers hat and set up at my two dealers tables in the cavernous 100,000 square foot exhibit space , along with 248 other tables that they call the hucksters room. And guess what? I do have a booksellers hat, well actually it is a Turkish Sultan's Battered Turban which is down after fifteen years on the road to a single feathered plume and a single costumed outrageous costumed ruby.

But I will also be wearing My Midwest Book Review Literary Editor's Hat and Handing Hundreds of Business cards promoting The Midwest Book Review and perhaps even contacting some new publishers, who will be able to read about The Midwest Book Review at World Science Fiction Convention's Twenty Four Hour Internet Computer Room. I will also be wearing one last hat as a participant involved in three programs all of which I will report on next month.

The local scene in Eau Claire WI population 60,000 souls and one University U.W Eau Claire with an enrollment of 11,500.

I have decided to add this feature to my next few columns since it seems to have worked its way in, any case with my reports of the last two months poetry slams at the Acoustic Caf�. Lately I have been getting up early in the morning. This is around 8:30 A.M which is pretty early for a former night shift workers and catching a bus to the down town transit center where I make the transfer to the bus which takes me to my office which serves me both as Literary Editor, Academic Critic, and book seller.

Guess what ? That same transfer center is located right next to the Acoustic Caf�, where I stop for my morning tea. That's where I met Norma, Bill, Lang, Lynn, Fred, Al, and Carol, all who in there own way have given much of there lives to making Eau Claire Wisconsin the wonderful community that it is. Not all of them are retired Carol who introduced me to the bunch is A U.W Eau Claire math professor, Bill is a gentleman tree hugging libertarian tree farmer, Fred is a former dean and speech professor, and I am not sure what Al used to. But it is pretty clear that there are no forty hour a week time clock punching wage slaves in the bunch of us.

The whole morning coffee crew at the Acoustic Caf� are interesting folk But Norma Desprez 82 a Widow since the mid 90's is the only one who has written several books of poems. The one I am reviewing, Soliloquy: Poetry of Though Grief to Healing, by Norma Desprez softbound 59 pages privately Published by Elderwords Press 2230 Trimble St, Eau Claire WI 54701 (No ISBN) price $15.00 + $3.00 shipping.

Strangely I find myself speaking Shakespearean twice in the same article because as I remember a soliloquy is a sort of bitter sweet summing up that often takes place at or towards the end of Shakespearean play which has kind of celebratory and at the same time melancholy component to it. Norma is addressing perhaps the most horrifying thing that Those of us living past middle age have yet to face in her poetry. The inconsolable loss of the partner of a lifetime. As an artist Norma has a very big task to perform much like the World War I war poets who I have studied all my life.

That is she must put feeling so deep and profound, and even terrifying into word which do not dull our sense, through her craft as a poet she must trick us into thinking about the unthinkable which she has done and faced.

I won't deal with the individual poems in the book because they all work together reaching across a large chunk of the 20th Century, including the great events of the 20th Century including WWII Louis Norma's late Husband was a WWII pilot, Norma dropped out of Eau Claire State Teacher's College (With one building and an enrollment of 150) her sophomore year in 1940 to take a job at$1000 a year, more money than she had ever seen in her life working for the federal government, incidentally 41 years later at age 63 Norma in 1981 finished her B.A in political science from University U.W Eau Claire enrollment with an enrollment of 11,500. In the process of having lived through much of the 20th Century Norma was able to ask her professors questions which really kept them on there toes, some of which the they were to professorial to answer.

But her poems are not just about that, they are about grandchildren frozen soup, gardens, and of course a recurring haunting emptiness that she is not afraid to touch on. I really think that there is a large national audience out there For, Soliloquy: Poetry of Though Grief to Healing, by Norma Desprez, but there is a problem which I told her about the first time she stopped by my office to sell me a copy for $15.00. Not the price for it is a handsome package, with beautiful art work and professional production values, donated by a number of folks that wanted see this book happen, but Soliloquy: Poetry of Though Grief to Healing, by Norma Desprez, does not have an ISBN number, which makes it in effect bibliographically invisible.

This means with out this particular feature it is almost impossible to market this book regionally let alone nationally or internationally. Let me assure you Norma wants her book marketed; the sales mean a lot to her since she is not well off. Norma and her husband sort of gave their lives to the causes they believed in, and sadly but as always the case the next generation does not always give back. But Norma is a tough a adaptive lady, who when some years ago when it became medically impossible for her to sing in the her beloved Lutheran choir, she became proficient as a master choral bell ringer, a position she just retired from, so I think we can say that the next edition Soliloquy: Poetry of Though Grief to Healing, by Norma Desprez, will have an ISBN number. Norma often nags me about it as we have our morning tea. Interestingly enough I have been getting up earlier in the morning because the folk show up at 8; 30 and are of for the rest of their busy day by 9:30 A.M.

The Cats Birds seat. About twenty years ago my editor and chief and the aforementioned Richard Russell who I hope is now pulling into Salt lake city with his century Richard Russell in 1990 Ford Areo Star laden with forty cases of my books, participated in the Joe Halderman Memorial Probability Seminar, which met about twice a month over a couple of year period usually on a Saturday night, running early into Sunday morning in which a number very intensely and seriously studied the probability of certain combination of painted symbols coming up on pieces of cardboard information objects called playing cards. The best Combination of symbols (Called a Hand) won the pot both high and low. To hold that hand was called being in "The Cat Birds Seat".

The reason I am in the "Cat Bird's seat" is I have one Hundred copies in hand of the most significant pieces of Tolkien Scholarship of the last two centuries. The brand new Hardcover 2002 edition of The Annotated Hobbit Price: $28.00 ISBN: 0618134700 Publisher Houghton Mifflin pages 399 pages. Beautifully Illustrated this work represents the culmination of a decade of effort by the world's foremost and painstakingly and accurate, and honest of the pantheon of Tolkien scholars, editor Douglas Anderson, with the full co-operation and support of J.R.R. Tolkien's Son Christopher Tolkien and the entire family enterprise. "This beautiful definitive edition of The Annotated will assure J.R.R. Tolkien his rightful position as author of the 21st Century.

Fifty of these are on their way to San Jose directly from the printer in perfect condition weeks before the editor, or anybody else on planet. Here is what the publisher had to say:

Tolkien's beloved novel The Hobbit has deep roots in European folklore, mythology, and language. As a reader's introduction to Tolkien's Middle-earth, it contains references to the ancient history of this imaginary world which, though rarely explained, contribute greatly to the effect of Tolkien's art. This revised and expanded edition of The Annotated Hobbit unobtrusively and authoritatively illuminates the novel's antecedents and curiosities. Douglas Anderson has also collected here wonderful illustrations from all over the world. The many new annotations in this edition reflect more than a decade's additional scholarship on the history and evolution of The Hobbit, and the annotations and illustrations are newly integrated with the core text in a handsome reader-friendly format. This edition also reproduces the fully corrected text of The Hobbit as J.R.R. Tolkien approved it before his death, in 1973. Anderson has compared every page from every major edition of The Hobbit with Tolkien's own last checking copy in the restoration work for this definitive edition.

After careful inspection of The brand new Hardcover 2002 edition of The Annotated Hobbit, and wishing that my day had 48 hours I can only say I agree with the publishers thoughtful insights into the book.

The Sammis Collection: The 3000 Books I inherited from my beloved aunt Cleo Sammis 1914-2002

I have continued to process the Sammis collections and I have successfully placed (sold these items I am listing. For those of you who think that you might have a rare item the are a number of services which will allow you to look up and compare you editions, and for that matter add books to your collection by ordering them. My two favorites are. Alibris. http://www.alibris.com/?AID=1925531&PID=786245 (&) Abebooks http://www.abebooks.com/. These services are not a substitute for the services of a rare bookman but they can give at least some idea of what people are asking for comparable items

The Magic Makers and the Bramble Bush Man Margaret Sutton, , Illustrated by Pelagie Doane Hard cover No Dustjacket New York: Grossett and Dunlap, 1936 No Jacket. Beautiful cover illustration and endpapers, both in color. Lots of black and white drawings in text. A nice, tight book in very good condition. Only interior marks owner's name and address . Author best known for juvenile series Tear on edge of front cover. Color map on inside front boards. This book is part of what my beloved aunt Cleo Sammis left me, She died at 88 leaving me lots of photos and a lovely book collection, which I have decided to share. Many of these items in turn are from the estate of her father in law a very famous professor and her husband who pre deceased her the these folks were book people as you will see as you follow my auctions for the next several months. Many of these books have been in the same house for 62 years. My wife is out of the country presenting at conferences right after she left I disabled our television by accident since then I have had been reading three to four hours a day. I know that there are sadly very people who even know who this book refers to, or have even the faintest idea of their roots this is just so sad (sold for $23.00)

Robert Ruark, Uhuru 1962 Brown cloth w/ silver gilt. Fine Jacket. Jacket good some small chips 6_" - 7_" tall. Publisher McGraw Hill Stated First Edition. Library of Congress Card Catalog # 62-7323. No marks. No flaws this book is part of what my beloved aunt Cleo Sammis left me, She died at 88 leaving me lots of photos and a lovely book collection, which I have decided to share. Many of these items in turn are from the estate of her father in law a very famous professor and her husband who pre deceased her the these folks were book people as you will see as you follow my auctions for the next several months. Many of these books have been in the same house for 62 years. My wife is out of the country presenting at conferences right after she left I disabled our television by accident since then I have had been reading three to four hours a day. I know that there are sadly very people who even know who this book refers to, or have even the faintest idea of their roots this is just so sad (Sold for $49.95)

"Harrison Fisher's American Beauties", Harrison Fisher The Bobbs Merrill Company, Indianapolis, 1909. Quarto. First edition. Twenty color plates of Harrison Fisher's stunning female beauties with text in several different decorated borders of roses and leaves in pastel pinks and greens by E. Stetson Crawford. Publishers rust cloth with blind stamped borders with hearts in roundels, roses linked with hearts framing the gilt lettered title. Some wear to extremities color difference some foxing good + condition lacks dustjacket In my research I have seen this item in the 400-850 dollar range. This books is for somebody who loves lost beauty or for that matter really wants to get a good idea of very early 20th century woman's costume I am going to ask for 125.00 buy it now for this book. I think somebody might pay 250.00 for it on sight. This book is part of what my beloved aunt Cleo Sammis left me, She died at 88 leaving me lots of photos and a lovely book collection which I have decided to share. Many of these items in turn are from the estate of her father in law a very famous professor and her husband who pre deceased her the these folks were book people as you will see as you follow my auctions for the next several months. Many of these books have been in the same house for 62 years. My wife is out of the country presenting at conferences right after she left I disabled our television by accident since then I have had been reading three to four hours a day . I know that there are sadly very people who even know who this book refers to, or have even the faintest idea of their roots this is just so sad (Sold for $125.00)

John Steinbeck, East of Eden Very Good in Good+ dust jacket; Binding strong. Text clean and complete. Owners name on front board stain on backboard Jacket complete. With some edge wear Price Listed as $4.50 1st state with "bite" for "bright" 281/38. First state Back DJ showing photo of Steinbeck instead of the later state reviews. I have done some research On this item and in this condition and this state it seems to sell in the $285 to 300.00 range (Actually if one can trust the Internet mine hold its own against several 1000 plus copies Re Dustjacket Condition. What I want is for somebody who loves Steinbeck to bid one hundred an forty on this item. Sorry I don't do scans but please check my feed back My late aunt loved Steinbeck and but played my brother John and I like the brothers in the novel, please don't do that with your children. I have yet another reason for believing this a first edition besides the correlation work. She died at 88 leaving me lots of photos and a lovely book collection, which I have decided to share. Many of these items in turn are from the estate of her father in law a very famous professor and her husband who pre deceased her the these folks were book people as you will see as you follow my auctions for the next several months. Many of these books have been in the same house for 62 years. My wife is out of the country presenting at conferences right after she left I disabled our television by accident since then I have had been reading three to four hours a day. I know that there are sadly very people who even know who this book refers to, or have even the faintest idea of their roots this is just so sad. (Sold for $140.00)

In my families best journalist tradition I have written all I can and cannot write nay more for this month. Richard. I know the Railroad Bridge you may be sleeping under in Winamuca Nevada tonight slept there myself in 1969 Godspeed I say and I will see you in San Jose tomorrow at 3.00 PM Pacific daylight time

Philip Edward Kaveny
Literary Editor
Midwest Book Review

Shirley's Bookshelf
Interview with Brian Seifrit author of "The O'Brien Series -Book 1":

Thank you Brian for allowing me this interview, let's get started shall we?

Q: Tell us something about yourself. Have you always written, is this a full time job for you? Would you tell us how many hours a day you spend writing and do the words for your works flow easily from within you?

A: I have been writing for over twenty years. In 1994 I was published for the first time, but, it was poetry. Then in 1996 I began taking University Transfer Courses from Selkirk College, here in BC. I took every course that involved writing. My first intentions were for print journalism, so, I used the techniques I had been taught back in 1987 when I attended, Columbia Academy of Radio, Television and Recording Arts, where I learned to write commercials for the radio etc. I also did the top 40 country countdown with the one and only Kassey Kassum, it was a sixteen week work experience course, I was on air more than eight times during that course. The radio station at that time was called 1220 CJOC and it was in Lethbridge Alberta. When the course came to an end, I began Djing in local night- clubs, where I must say I had way more fun. I do write fulltime either for myself or for a local paper. Canadian Freelance Writers barely make four-thousand dollars a year, unless you've been doing it forever, breaking into it up here takes years. I have had numerous stories of public interest published, and have even done some investigative reporting; where I was involved in helping search for a missing girl who had disappeared in 1997. When I write for myself, I start in the early morning, a cup of coffee at my side and I write sometimes for sixteen hours, I enjoy writing that much. On a good day I can write 5000 words, but that takes me well over twelve hours, and I usually end up scrapping 2500 of those words. There are times when I can't even write a paragraph and I sit looking at my computer screen hoping it will write for me. I had writers block once that lasted over a month. During that time I thought it was the end, and that I'd never write again. But, something inspired me and off I went developing and outlining for the next six weeks, and whala! I came up with "The O'Brien Series."

Q: What was the first piece you ever wrote and did it get published?

A: The first piece I have had published was a poem titled, "For the Thing's I have" it was published, but not by a traditional publisher in a book titled "A Far Off Place," by The National Library of Poetry. I know, they aren't something to brag about, and I'm not. I'm just telling you who and when. The first book I wrote was "Flesh Craves," I started that in 94-95, but after I sent it out to a few different publishers and it kept getting returned, I decided to put it on a shelf and there it sat until just this year when I finally revamped it. Now its been accepted by the same publisher that published "The O'Brien Series-Book One" and it will be out in early 2003. Also this year I entered a publishing contract contest at Rosedog.com, a place I had been using for years to show my work. Then I received an email stating I had won a six month publishing contract, under The Rosedog imprint. At first I wasn't going to bother with it, but, after contemplating it for months I decided to go for it. They are now the ones who will be publishing "Manhunt." I figured six months exposure; since it didn't cost me a thing, why the heck not? They are designing the cover, doing minor editing much like all other Print On Demands, except they also offer their books as e-books, and printed books. Also one other thing I'd like to mention is that AmErica House, has agreed with me to donate 10% of my royalties from "Flesh Craves" to Internal Lupus research, I had a good friend die from that this past July, so, when AmErica House offered me the second contract, it was one of the things I requested, and I was surprised to say that they agreed. To me writing is my life, I've done everything from busting tires, digging ditches to dry land farming and running my own business, but none of those jobs in my own opinion compare to writing.

Thank you Brian, that was very interesting.

Q: How many works do you have finished and how many are published or will soon be out to the public?Do you write in only one genre, mystery, and if not please tell us of your others.

A: It was in 94 when I was published for the first time. I knew I could write fiction and in time I would be a published author, but, not before my wife insisted that I start taking writing serious. It was her words that made me consider it. Since then I have written in total nine books they are: "Flesh Craves" being published 2003, "Manhunt," which is the second title in my O'Brien Series, it is being published later this fall, "The O'Brien Series-Book One," published in Dec 2001, "Escape" which is currently in the hands of two traditional publishers here in Canada, they are Ronsdale Publishing, and House of Anansi in Toronto, both have shown interest, but, only time will tell what fruit will bear. The five others I have written or am developing are "Ridgeville-The O'Brien Series-Book Three," "The Return of Leif Vanfell," the sequel to Flesh Craves, "The Kregan," juvenile fiction, it's a story about the illusive sasquatch here in BC. "Vigilanty Justice," "Busy Day in Bunnyville," my first attempt in children's literature, not to include the numerous others I'm developing.

Q: That is great Brian! Now, let me ask you this, did you find it difficult to find a publisher and what advice would you give other authors in this area?

A: Was it tough getting published? It was more devastating then work. I have been turned away by countless publishers, but, I still submit to them, perseverance is the key. If I could give any advice to upcoming authors it would be never get discouraged, there are all types of Publishers and Agents that will probably laugh at your work, take their advice but don't quit because someone told you your writing sucks. We all have our own style and out of the ten publishers that send back your ms, there will be ten more who will show interest. A lot of people think POD is an unfavorable way to getting published, but I feel if it works for you, as the author, use it as a stepping stone. Besides, I believe that POD is going to be a big industry in the future. Some PODs I'm sure aren't worth the lead from your pencil, but others are. Shop around, read their contracts, email some of their authors and ask questions. Ask lots of questions.The stigma that has been stuck to POD is that they will publish anything, we've all read that, but that isn't truth, after all they want to make money. They can't sell books that are badly written or without a strong storyline and characterization. Some people go, as far as to say, it's the easy way. My opinion is that isn't even remotely true.

Q: Has your life changed any since you have become a published author and so how?

A: Ya, now I know that I can do it. And I am determined to be published by a traditional publisher, even if it takes me a few years, I will never give it up.

Q: You say your wife was instrumental in your taking writing serious. Do you feel it is important for writers to have the support of those close to them?

A: Yes. I believe it's quite relevant that not only ones spouse, but also very close friends and other family members play key roles in writing. My wife reads over my work, and then usually a good friend who is a mix reader, (someone who reads a lot of different genres). It's good to have someone in your corner who is critical-their opinions if you ever care to use them, can dramatically change a stories readability. If you write something that really sucks, you don't want your spouse or friend to tell you it's the best read they have ever read. As an author I believe you have to be able to take a lot of criticism, and change that criticism into something good. We're like a good vintage, except we get better as we write, not necessarily with age.Support is grand, without it writing is a one way street with a dead end.

Q: In the building of your characters, for any given work, do you base them on people you know or have known?

A: Not all my characters are modeled from people I know or knew, however, some definitely are. In Flesh Craves I modeled an old Indian friend from Alberta as my character Big Weasel, his name is Leo Pard, the biggest Blackfoot I have ever met. I also based the wolf Friend, in the same title from my two dogs. So, I guess there are certainly characters in my writing that I model from real live people, in fact I'd have to say yes and no to that question. Some of my characters have just been bouncing around in my head forever. In The O'Brien Series, O'Brien's wife is actually based upon my own; her friend Gin is actually one of her real life friends. His two kids as well have been modeled from my own. The police artist Christine and the crime scene analyst Stacy Lee are also based on people I know, but O'Brien himself is a character that I made up. His three companions are also inventions of my own mind. Henderson on the other hand is again modeled from an old fellow I know, who bares quite a resemblance to Henderson's own persona.

Q: Tell us something about "The O'Brien Series-Book 1". What gave you the idea for the series and have you decided how you will develope the character of Detective O'Brien as you continue with your work? How many more books do you foresee in this series?

A: How many books do I foresee in The O'Brien Series? Three for sure, possibly a fourth. I came up with the O'Brien Series from a short story I had to write well attending Creative Writing, and I got 98% on it. The first chapter in The O'Brien Series-Book One, was the entire story back then, from that I developed other cases etc that I wanted him to get involved with. I think what inspired me the most to write that title was when I was involved in helping search for a missing girl along with 'Henderson's' real life character model. During that search I was introduced to different techniques in searching for missing persons, including using dousing rods. It was interesting to say the least. I think after that adventure, The O'Brien Series, became easier to write. Have I decided yet on how to develop the character Detective O'Brien as the story goes along? Yes. As he pursues his career eventually he will not only be a Lt., but also I see him running the show. In book two Manhunt, it explains how Henderson & Co, work for not only private clients but also local police authorities, obviously when they are in need of the extra help. A lot of people have asked me, "Why was the FBI involved? They're not in Canada." To answer that question. It is true we don't have FBI here in Canada, we have what is called the CSIS, (Canadian Secret Intelligence Service). In book one, O'Brien gets involved with the FBI simply because not all the murders took place in Canada, and he was sent to the US to look at a crime scene, where he is introduced to the FBI. During the course of the investigation he is contacted more then once, by the FBI, so, that they could be updated on the progress, and again that's because of the corpse found in Copeland, which is in the US, perhaps I wasn't to clear on that. Anyway, in book two this all becomes unclouded, and O'Brien definitely becomes more developed in character, as do his associates.

Q: The cases that you have O'Brien investigate, are they purely fictional, or do you take them from actual cases?

A: Are the cases O'Brien gets involved in purely fiction, or do I take them from actual cases? Again, yes and no. Some of the events in O'Brien Series-Book One are based on actual events that took place in and around my hometown. The very first victim Anvil kills with a sledgehammer actually happened to a mother and daughter, in the area I grew up in, years before I lived there. The other killings are fictional, based on legends and such from my hometown. The first article I ever had published in a newspaper was based on a legend that I grew up with. About a recluse who had been decapitated by some drunken trappers, it was said that he walked the back roads of Hudu Valley with his head underneath one arm and a pickaxe in the other. It's also the premises for another ms I am developing, titled The Hudu Ghost. That won't be completed for about another year or so, but it's being developed.

Q: If you could speak directly to Publishers on behalf of writers, what would you like to tell them?

A: If I could speak directly to publishrs on behalf of writers what would I like to tell them? I think I'd tell them to give new authors a break. There are countless awesome writers out there, and because we aren't Stephen King or Robert Ludlum, that doesn't mean our writing should be dismissed, or looked upon as though we are incapable of telling a great story. I'd tell them to take a chance on some new authors that they'd be surprised at how talented some are. I think publishers should seriously consider that...

Thank you Brian. I would have to strongly agree with you on your statement.

Q: If 'Life Is But A Dream' tell me what would your dream be as a writer? And how do you plan to make this dream a reality?

A: My dream as a writer isn't to make millions, rather to entertain readers. I wouldn't mind the cash, but I write because I enjoy it. My dream is to one day make it big in both the Publishing industry and Movie industry. It would definitely be a nice surprise if Warner Brothers or some other television mogul was to scoop up one of my works. How do I plan on making this dream a reality? I believe the more I write and hone my craft, the greater my chances are. Hey, it might take years, but I'm determined. To make dreams reality, we have to always try our best and reach for the stars--anything less in my opinion, is like riding a unicycle on the freeway. One has to push through barriers, climb ladders one rung at a time, and be persistent to make dreams come true. You can't just write one book and because someone said it sucked, stop writing. You have to use that criticism to benefit your next work. You have to strive to be the best writer that you can possibly be. I had one publisher tell me that if my title, "Flesh Craves," was written by Stephen King, it would be a best seller, even before I revamped it. That tells me one thing, I have to do better, and I don't mean better than Stephen King, cause that's years away and possibly never, but better for myself. I don't think I'm living on a dream. I have already woken up and know what it is that I must continue doing....Had I never had a dream to become a writer though, I'd probably still be running my business. Absolute Appliance Repair and fixing old lady Hens appliances. Dreams are good, but that's all they are unless you are willing and determined....
Thank you Brian.....I believe you are willing and determined!

You may find out more about Brian Seifrit and his works at the following websites.

We wish Brian the best of luck in his writing career, may all his dreams come true!

http://www.authorsden.com/briantseifrit
http://www.rosedog.com

Works By Brian Seifrit:

"The O'Brien Series - Book One"
"Manhunt" (Sequel to The O'Brien Series). Available Fall 2002
"Flesh Craves" - Available Spring 2003

Suburban Vampires: A Byte Me Teen Line Read
Connie Keenan
Awe-Struck Ebooks
ISBN # 1-588-749-322-5, http://www.awe-struck.com
The book retails in print for $12.95; download for $4.65; diskettes in the mail are $8.95.

At first thought, reading a book about vampires was not going to be my cup of tea. Surely, this must be either gory or run of the mill reading. I was wrong! I found Suburban Vampires to be a delightful read.

The story begins in the usual way, or so I thought. Vampires, asleep in their coffins in an old drafty castle, leads way to a twist of events. Meeting the main characters, Dylan and Jessie proved to be entertaining. Dylan, the vampire with seniority, is a British lad, with charm and sophistication. Jessie, an American, who was transformed several hundreds years after Dylan, is a snappy, funny sort, who is under the supervision of Dylan. Not to either of their likings! Immediately I knew this book would be a fun read.

The Excellency, or head Vampire sends these two off to American to 'transform' an entire High School and to kill a modern day Vampire Hunter, named Professor Ellery. Jessie is excited about this, as he is hoping to find a way out of his vampire life. Dylan, although he would hope that that could happen, looks upon Jessie as a dreamer. Little does either of them know the true story behind their assignment.

Upon arriving in America, Dylan and Jessie meet and fall for two young ladies, Rina and Tegan. Unbeknown to Dylan at the time, Tegan is the daughter of Professor Ellery. As the story tells it, centuries ago a young vampire fell in love with a girl named Miraya. Knowing he could not spend eternity with her, he transforms her into a vampire like himself. Her father tries to destroy him and in his anger, he places a curse upon the entire family. In each generation the 4th daughter would meet and fall in love with a vampire, Tegan is the 4th daughter and Dylan is the vampire.

I don't want to tell too much and give away this wonderful story of love and victory. Do the young Vampires find a way to become mortal again? Does the curse continue? Is Professor Ellery killed? This is a fun read for teens and adults too. Thumbs up on this one, you will enjoy it! 16 Chapters

The O'Brien Series-Book 1
Brian T. Seifrit
American House Publishers
PO Box 151, Fredericks, Maryland
ISBN: 1-59129-171-2, 128 pages, $14.95, http://www.publishamerica.com

Detective O'Brien works for Henderson and Co. Detective Agency. You are first introduced to him and his colleagues; Henderson, Hal, Rory and Thom as they are investigating a murder case. Detective O'Brien immediately reminded me of the Detectives of long lost famous television shows, like Jack Web from "Dragnet." This certainly was not a bad thing for this reviewer, but rather made for a 'trip down memory lane' read. One I enjoyed.

It is a laid back novel, not fast paced, despite the entire core of it being centered around murder investigations. This is not to say that there was not mystery in this novel, for indeed there was, as Detective O'Brien and his team are faced with a killer who has a cruel sadistic side.

Detective O'Brien tells the stories, from his eyes. After the first murder is solved, the rest of the book brings you into O'Brien's investigation of a crime of mutilated bodies, seemingly of homeless people. Just what were those strange markings on the bodies of the victims? And why was their blood drained out? The author does a good job of bringing you into the swing of the story, but I feel he could be a little more descriptive of characters, surroundings and emotions.

I liked the way Mr. Seifrit brought the murderer into the story and the reason why this person killed. I found it intriguing, and I also liked the way he threw in a few other suspects, allowing you to play detective for a while. This book grows on you! I think those who like a good detective novel will enjoy this one. Looking forward to book 2!

RB Enchantress
C.C. Colee
AmErica House
PO Box 151 Fredericks, Maryland
ISBN# 1-59129-065-1, Paperback $27.95, http://www.publishamerica.com

RB-The Enchantress is the second book in a trilogy by C.C. Colee. Unfortunately I did not read the first one, but plan to in the near future; this did not however hinder my complete enjoyment of the authors second part of this Trilogy.

I cringed at first seeing the length of this novel; but soon found myself forgetting that aspect, and became totally involved in this wonderful story of love and adventure. Taking place mainly on a pirate ship "The Enchantress" you are introduced to a collage of colorful characters. Ever hear of a woman Captain of a Pirate ship? You will in this story, and Captain Mala is someone you will grow to love and respect, along with the love of her life Captain Rene Black.

The story begins with your introduction to Aubrey Malone, a young Irish women who was rescued from sure death, when the Widow Maker, ship of Captain Black, was sunk to the bottom of the sea. Protecting her and rooming with her, is the irresistable first mate, Morgan Alcott. Captain Mala's right hand and friend, or is he? I feel in love with this man, who had the integraity of a Saint as far as Aubrey was concerned and immediately despised quartermaster Deats.

Deats had rescued Captain Mala from an Island where Rene Black had left her while he attended other 'pirate' business. Unbeknown to him, Mala was pregnant with their child. During her stay on the island a British ship docked, Captain of which was John Samuel Alexander. Captain Alexander went from island to island, raping, killing and taking anything he wanted from the Island people, leaving no one left alive to tell the tale.

Mala gave birth to her son Buccus on that island while her beloved Rene was away. Mala had waited a long time for his return and felt that he had deserted her, but this was not the truth. During her stay on the island Captain Alexander landed and while Mala was on another part of the island he killed everyone there, including her baby. Mala's life was destroyed at that moment and she vowed she would have revenge on every British sailor and also on Rene Black for the death of her child. This is the condition that Deats found her in. He lusted after this beautiful women and wanted her for his own, but deep within her heart she still loved Rene Black. When the Widow Maker was sunk Mala though Rene had died with it, but he had not.

As the story goes Mala finds Rene alive and in prison ready to be hung. During his time there he also encounters Captain Alexander who taunts at Captain Black. During a moment of anger Captain Black speaks of his beloved Mala, her beauty and her spice. This intrigues the evil Captain Alexander, who from that moment swears to have her as his own. After rescuing Captain Black, Mala turns away from him, but he longs for her. Boarding her ship, he overtakes her and her men and a new adventure begins for all aboard. Unfortunately, not all of Captain Black's men respect Mala and her crew as he does. Especially the unsavory Beautfort, who longed for Aubrey while she was on the Widow Maker and is determined to have his way with her now, but Aubrey's heart belongs to another.

You will cheer when you read what becomes of this nasty man.

At first Mala dislikes Aubrey because she bears the mark RB on her chest, which Captain Black branded all the women that were his. Aubrey however, was branded by him for a very different purpose; and through the many adventures that the two women face together, there becomes a bond between them.

Murder, deceit, lust, revenge are all part of this great adventure. My heart yearned for Mala to tell Rene of the life and death of their tiny son, but as of this book she does not. It ends with the disappearance of Mala, being kidnapped by the horrid Captain Alexander and the plot of Captain Black and the men to get her back.

I have left out so many wonderful twists and turns of this book, but it would take me writing a book just to give it the review it deserves. For now I will say this, do not miss reading this trilogy. Excellent is the word I would like to leave with you.

I can't wait for the next book, it is sure to be a winner.

Interview with Theo E. (Ted) Lish:

Theo E. (Ted) Lish
President/Publisher/Owner
Munchweiler Press
14217 Gale Drive, PO Box 2529, Victorville, CA 92393-2529
http://www.munchweilerpress.com

Ted Lish - The Joyful Publisher

Thank you Mr. Lish for consenting to this interview. Let's get started on the basics for our readers. Would you please tell us what line of product your company publishes?

A: We publish children's books in hardback trade binding, library binding and paperback. We specialize in books for the 4-8 range, but have plans to enter the pre-school as well as the middle reader markets. We do not ever plan to publish anything for over the age of 12. We also have some plans to do some plush toy and puppet tie-ins.

That really sounds exciting, I especially like the idea of toys and puppets. Would you tell us how your Company got its start, what is the vision behind it and how long you have been part of that vision.

A: I have written several children's books, but have never had success getting published, so I set up Munchweiler Press originally to publish my own books. I soon realized that a strictly self-publisher probably wouldn't get very far in the publishing industry, and in fact has a difficult time getting reviews or being taken seriously by the major players. Also, there wouldn't be much variety if everything produced by a company came from a single author, so I opened it up to other authors (and illustrators).

I set up the company in 1999, but it took until 2001 to get anything in print. If you want quality illustrations, it takes illustrators a fair amount of time to produce 32 pictures plus covers, then there's the wait for printing. I print overseas. And of course, there is a lead time for trying to get some reviews.

Do you have a good working relationship with your authors and illustrators?

A: You can talk with any of my authors and illustrators and I'm sure they'll be unanimous that I'm easy to work with.

Thank you! Let's talk now about your books. Do you have a set theme that you want all of your children's books to follow? For example, some only want folktale stories. Also, does the current market trend influence your decision in any way concerning submissions?

A: I want our picture books to be fun with a moral or lesson taught but I'm not limiting myself. I've accepted one that is just plain sweet and nostalgic. I think you can miss a lot of good stuff if you just try to follow the trends. The big houses do that. We small presses need to help set trends.

Are you open to submissions?

A: I would love to say yes, but the economic reality is that I just can't afford to publish anything else (that I haven't already committed to), so it's unfair to give people false hope.

I know alot of authors will be sorry to hear that. However, I'm sure in the future your doors will be open again to submissions ,so at that time, let me ask you some questions.

What do you look for, what grabs your attention when you receive a submission?

A: Again, I specifically look for something fun with that moral or lesson taught. If there is no moral or lesson and it is just fun, that's fine, but then it needs to have a surprise or twist ending. I got one that was fun and I was eagerly awaiting the ending and then it just fizzled out. I thought of several twist endings and suggested them to the author.

That is great that you give some suggestions to authors. Let me ask you this, what will totally turn you off concerning a submission?

A: I've actually received some with toilet and/or body function humor and even some with crude language. I know the Captain Underpants series has done quite well, but I never would have published it. I guess I'm too much of a prude. I feel children's books need to be crystal clean.

As an author of children's books, I would have to agree with you on that. Tell me, do you give each query your full attention and how long before an author would know of your decision?

A: I do indeed give each query full attention, but many times I do not read a manuscript clear through. If it loses me early on, I figure it will do the same for children. Since I'm not currently accepting submissions, the slush pile is manageable, so I read the submissions and answer within a month.

Is it a set rule with your company that your picture books must be 32 pages long and why?

A: We have four titles in print and three of them are 24 pages long. Only one is 32 pages. Any less than 24 though and it would have to be strictly a paperback. Books are printed in multiples of 8 pages because that's how the printing presses are set up. 32 pages picture books really are the industry standard.

That's interesting, could you tell me how you determine the pricing of your books?

A: I go strictly by what other comparable books are selling for. For example, a 32 page picture book sells for $15.95, $15.99, or $16.00. It never seems to vary from that. If a small publisher varies very much, the bookstores just won't pick it up.

What promoting do you do for your books and what part does the author/illustrator play in that? Where are your books available for purchase?

A: The first thing I do is send out lots of review copies and try to get as many reviews as possible. That is free publicity. Then I produce advertising materials citing those reviews. I also enter them in every award contest they may qualify for. Winning an award really helps to sell books. I display them at all the library shows and many book exhibits. I send press releases about the books, especially if they win any awards. I advertise in trade magazines and send direct mail pieces to bookstores, libraries, and even gift shops. Authors and illustrators who are willing, can do book signings and make appearances but I don't push them to do so. Since all major wholesalers are carrying our books they are available to any bookstore. If they don't have it, it's very easy for them to get it. Just ask. Of course all the on-line bookstores carry them.

May I ask you about your contract and Royalty payments. Are they separate for author/illustrator, and do they differ per contract?

A: So far I've been paying 10% royalty based on the cover price of the book. With a picture book, the royalty is split evenly between the author and illustrator. If the author is also the illustrator, s/he would get the full 10%. There are clauses in the contract that reduce that amount such as selling books at a very high discount (as to Wal-Mart, Costco, etc.) At times I buy manuscripts and artwork outright through a work-for-hire arrangement. My contracts are pretty much standardized.

What would you say is the hardest part of your job being a publisher?

A: That's easy: Cash flow. It takes months or even years before you can recoup your investment for a book. The big houses have millions in reserves so they can produce books by the ton and wait patiently for their return. It's much harder for a small press operating on a shoestring.

Here is a question, I would really like to know the answer to. When you receive a submission do you truly understand that you have the hopes and dreams of a writer/illustrator in your hands? If so, how does that make you feel?

A: Saying no to someone is the hardest thing I do, but to publish stories that I don't feel are marketable would be risky for Munchweiler. I want to feel in my bones that this is an exciting story, not just a good one. I read a manuscript the other day that flowed nicely so I kept reading and when it hit the ending I laughed so hard I nearly fell out of my chair. Now that's one I want to publish.

Would you tell the readers what you see in the future for your company and what is being done to bring that to fulfillment.

A: I have no illusions about ever becoming even a mid-sized publisher. I just want to have a small well run press with perhaps a hundred good titles. I try to get all titles reviewed by quality reviewers and I enter all awards contests where the books qualify. The four titles we have in print have all received good reviews. None have won any awards yet, but "It's Not My Job!" is now a finalist for a Teachers' Choice ward. Good reviews and especially awards can be used in the promotional materials and hopefully sell books.

Is there any advice you would like to give to authors/illustrators that might help them get published?

A: I can't speak for other houses. They all have their own preferences. I personally like humor and twist or surprise endings, but stories need more than that. I'm talking now about picture books. You notice in my book, "The Three Little Puppies and the Big Bad Flea" the bad guy (gal) wins in the end. Seldom in picture books does that happen, and I'm not saying it should, just sometimes to teach a lesson about real life. However, my second book "It's Not My Job!" is getting a lot of attention and is now a finalist for a Teachers' Choice Award, and has a very predictable ending. It's just how I get to that ending that makes it unique. Let me explain the elements that's making it popular. It starts out serene and pleasant, but tension starts to build. The house begins to fill with trash because nobody feels it's his/her job to take it out. The obliviousness of everyone to it is what kids like. It gradually builds to an epiphany (a sudden awareness) that there is a problem, not when the house is filled with trash and it's difficult to get around or watch TV, or even when it's waist high. The awareness arises when the trash is coming out the windows and disgusting the neighbors, prompting dad to say,"This is embarrassing!" and mom to say, "What will the neighbors think?" The boy of course, is only concerned that he cannot find the TV, but when the girl asks, "Where's the baby?" that triggers the panic and the climax. The whole family decides in an instant that this trash problem is really everybody's problem and now they have a true crisis on their hands. Of course they all go to work feverishly to clean up the trash and are "so glad to find
the baby." Now everyone has learned that this chore is"everybody's job" and the family is restored to a happy clean environment. So you see, we start off mild, build tension, reaching a climax, even a crisis, and then wind it down with the lesson learned. You never want to preach to the kids. Kids learn that cooperation is necessary because they just saw what happened to a family that did not cooperate. Which leads me to illustrators.

Of course an illustrator needs to know his/her craft and have the technical skills to put his/her ideas on the "canvas" with sizing, proportion, action, humor, coloration, detail, etc. appropriate to the story, but a truly good illustrator has a lot of imagination and brings things to the text that the author may not have even thought of. I chose Charles Jordan for this story because he does just that. My story, although cute and with a moral taught would have gone nowhere without the right illustrator. Illustrators need several examples of their work to show art directors that they have a good range of abilities, know how to draw things correctly AND have a good imagination.

Please use this space for any final thoughts you may have about your company, that you would like our readers to know.

I have some very fine manuscripts that I have accepted and some very fine ones that I've rejected. When a publisher only publishes a few books a year, s/he of necessity must turn away a lot of very good work. That's probably the hardest thing to do, but authors need to understand that a rejection is nothing personal and doesn't necessarily mean you have a bad story. It's always good though to get some feedback from others in case you do have a bad story. Submitting it a zillion times can be discouraging and expensive, but it happens
even when you have a good story. I wish that every publisher could give feedback and advice to each writer, but of course, that's just not possible. Writing is a craft and must be learned just like any other craft.

You're probably sorry you asked those open ended questions. It reminds me of the boy who asked his mother a question about the stars in the night sky. "Why don't you ask your father?" she replied. "I didn't want to know THAT much about it!" was his response.

I want to thank Mr. Lish for allowing me to do this interview. I found him to be a very likeable person, one I am sure any author/illustrator would love to have for a publisher. One, who has the heart of a child in mind in his acceptance of manuscripts. I believe we are going to hear alot more about Munchweiler Press in the near future. My hope is that every dream for his company becomes a reality!

Interview with Talton Ray:

"The Francis Press" - Telling The Story - One Book At A Time!

Talton Ray is Publisher and Editor of The Francis Press, located at 3029 Ordway St. NW, Washington, DC 20008. Internet URL: http://www.francispress.com

Thank you Mr. Ray for allowing this interview for MidWest Book Review.

Q: Would you please give us some background information about The Francis Press. When it was birthed as a Publishing House and why?

A: The Francis Press was established in 1996 with the conviction that a market exists for good books about these exceptional people, especially among readers who have professional or personal links with the arena in which the subject was active. We maintain the highest editorial and artistic standards in order to attract these discerning readers and to produce titles of which we ourselves can be proud.

We run a hands-on operation with the publisher/editor closely involved in all phases of new book development. We will continue to concentrate our efforts on creating and marketing a few books of superior quality each year.

Q: Would you please tell our readers what type of books you publish?

A: We are dedicated to producing biographies, autobiographies, and memoirs of remarkable but often unfamiliar persons whose stories deserve to be widely known.

Men and women who have participated in significant but quiet ways in historic events, have made major contributions to their fields, or have had uncommon experiences that open a window to parts of the world usually hidden from our view. All our books are originally hardcover.

Q: In publishing biographies, autobiographies and memoirs of remarkable people, how is the decision made, from the submissions that you receive, who has a story that needs to be heard?

A: We evaluate each manuscript on its own merits. We have no preconception of what type of person will match the standards noted in my previous answer. Our decision of which project to pursue is a function of the criteria cited in my response to the next question.

All right, lets get to the next question!

Q: When a query comes in, what are you looking for? Is it a good storyline, writing style, a particular subject that you know your readers would be interested in? Or do you go with that gut feeling, in the pit of your stomach, that this story needs to be told?

A: We are looking for stories that are interesting, well written, and provide new information about important topics. We are looking for authors whose objectives mesh with our own and who have the will and ability to promote their books vigorously. We are looking for books that we feel in our bones have a market we will be able to locate.

Our target readers would have a personal or professional interest in the field(s) in which the subjects were active or who want to learn from the unusual experiences of our subjects.

Q: When a query is sent in, how long before the writer will know of your decision, and do you often have to turn down good manuscripts for different reasons, and what would those reasons be?

A: We usually respond to the first query within one or two weeks. I don't recall turning down a "good" manuscript, as described by the criteria of our guidelines.

Q: Do you have a set number of manuscripts that you publish each year?

A: At present time we have settled into a pace of two books per year.

Q: Do you believe in the near future that you will be publishing more books per year?

A: In the near future, no. In the medium-term future, maybe.

Q: In publishing only 2 books a year, there must be many worthy manuscripts that you decline. Is it difficult for you to tell an author that they are rejected?

Do you, as a Publisher, realize the impact this has on them? Do you ever give advice to them, or is your rejection in formal way?

A: Yes, there are many worthy stories that I have to reject. Most would have a tough time finding a paying readership and thus are more suitable to self-publishing of one sort or another. I read enough of each submission to write customized notes to the authors, most of whom are aware, intuitively if not from personal experience, that book publishing is a financially difficult business. They are prepared to accept a rejection, although each new one hurts. I give advice, but only when specifically asked for it. I also will suggest to authors whose manuscripts are wanting in certain important but nonfatal respects ways they might improve them and resubmit them.

Q: In saying that. What advice would you give to an author seeking publication with you? And generally what advice would you give to an author seeking publication elsewhere?

A: I would urge authors to read our website carefully before writing and reveal in their queries why they think their project fits well with The Francis Press's objectives (which are quite narrowly defined). They should describe their project in enough detail to reveal why it is special enough to justify someone else spending money to turn it into a book.

The query should also summarize the author's background and his or her qualifications for undertaking the project. When composing the message, the author should be mindful of the fact that it will offer the first and possibly the only chance for the publisher to evaluate the quality of the author's writing skills. The authors should offer to submit a chapter outline, sample chapters, and their thoughts about the market for their book.

Unless specific submission guidelines are presented on their websites, I would think that the approach I am recommending would apply to other publishers as well.

Thank you so much, I am sure many writers will find that information helpful.

Q: Would you tell us what is the hardest part of your job as a Publisher?

A: The hardest part of being a publisher - at least this publisher - is overcoming the natural inclination of reviewers, interviewers, and prospective readers to be drawn to books about well know personalities and to undervalue biographies and memoirs of unfamiliar persons, no matter how well written and designed.

I have to agree with that. I find as a reviewer that there are many great authors out there. Thousands of wonderful stories just waiting for someone to read them. Also, many wonderful small Press Publishers to be interviewed.(smile)

Q: Do you actively promote your books and are they available in most bookstores?

A: Yes, we energetically promote our books, which are available at most bookstores, acquired through wholesalers, such as Ingram and Baker & Taylor or directly from The Francis Press.

Q: How many submissions do you receive per month?

A: Ten to fifteen per month.

Q: To sum this all up, would you tell us what you see in the future for The Francis Press, and what your hopes and dreams are for you company?

A: I look forward to the day that inclusion in The Francis Press's list of titles is recognized as a sign of distinction for authors and their subjects alike.

I want to thank Mr. Talton Ray for allowing me to interview him. I encourage all our readers to seek out his books. Read the stories behind the hearts of those yet unknown.

You will be glad you did. Good luck to The Francis Press and Mr. Talton Ray!

Shirley Johnson
Reviewer/Interviewer
Midwest Book Review

Laurel's Bookshelf
Soldier Of The Legion
Marshall S. Thomas
Timberwolf Press, Inc.
202 N. Allen Str. Suite A, Allen TX 75013
ISBN 1587520397, 280 pp, $14.95, paperback, www.timberwolfpress.com

"A rough truce divides the known galaxy between the System, the despotic slave empire that rules the inner systems, and the Confederation of Free Worlds." That brief beginning blurb on the back cover of this book did not prepare me for the exciting read I found in Soldier Of The Legion. Heart pounding action, ind blowing battles and adrenalin pumping encounters with alien life. Mr. Thomas packs that and more into this futuristic sci fi masterpiece.

From first page to last, the action stopped just long enough to let me catch my breath. The story unfolds through the eyes of Thinker, a Legion warrior who joined up after a broken romance. Thinker and his fellow warriors are kept young and strong, immortal, through biotechnology beyond our present imagination. The barren worlds they face and alien life they battle become real through the author's creative mind and skillful writing style.

Horrific other-worldly combat assignments come alive through Mr. Thomas's prose. Eerie images of fire and destruction dance on the face plates of their armor as our heroic warriors slog their way through blood, fire, slime, and body parts to hard-won victories. From fossilized cities that once housed vanished civilizations, to violent volcanic worlds, Thinker and his Beta unit take on forces that are bent on destroying life. All human life. These immortal warriors face horror and human degradation beyond imagination. But ruthless slavers and hives of terrifying alien maneaters barely prepare them for the scourge of all creation, the soulless Omnis.

Times of respite are few and far between for soldiers of the Legion. Thinker has the violently possessive Valkyrie and tender-hearted Priestess to take his mind off warring. Except for those rare occasions, Thinkers mind is seldom far from thoughts of battles, past and future. It's the way of the Legion.

At the end of Soldier Of The Legion, the author sets us up for what will no doubt be an equally exciting sequel. If what follows is as good as his first, Marshall Thomas should soon be a major name in futuristic sci fi. I enthusiastically recommend this book to fans of the genre as well as those who simply enjoy excellent story telling.

Martyr's Cry
Larry Bohall
PublishAmerica
P.O. Box 151, Frederick MD 21705-0151
ISBN 1591295327, 195 pp. paperback, $TBA

Advance reviews of Martyr's Cry describe it as "a mystery for hopeless romantics". It was indeed that, and much more. Larry Bohall's carefully controlled style is vibrant, tender, with a touch of humor. This book is mysterious, haunting, humorous, and ultimately touching.

John Wesley Hunter is a Bishop in the United Methodist Church. Despite that status, he's a very human hero. Women find his height and looks appealing, but he sees himself in quite a different light. He's insecure about his bony legs, and thinks perhaps he's not as manly as he should be, in any way. Despite his many accomplishments, Bishop Hunter has good reason to feel less than successful where women are concerned. He's nursed a broken heart for almost 20 years because the beautiful and enchanting Heather, the light of his life, chose another man in place of him.

When Hunter's dog Samson awakens him in the middle of the night. he's greeted by a faint, familiar scent at first, and then the sight of Heather dancing in his office. Heather, dancing in the middle of the night, beautiful as ever, has come to pay an unexpected visit. That's where the haunting comes in. Heather comes to call from beyond the grave, seeking help from the only one she can trust. She's been murdered, leaving behind a troubled ex-husband and institutionalized daughter.

Hunter and the ethereal Heather set out to right wrongs and reveal an intricate scheme involving church hierarchy and elected officials. The Bishop and his spirit-sweetheart pick up where they left off, meshing as a team Mr. Bohall makes this premise work effectively, with skill. I found myself straining to assist in solving the mystery before the bad guys killed another victim. And I hoped the ghostly Heather could ease the Bishop's pain and heal his broken heart.

Hunter's investigation produces threats, intimidation, beatings, and an attempt on his life in close succession. The quiet, gentle Bishop with a wry sense of humor turns volatile, gains strength as he seeks out Heather's killer.

Before the last page, rest assured that all loose ends will be tied up and Hunter's heart will be nicely mended.

Yes, this was a romantic mystery. Mystery addicts and romance fans alike should love it. But as I said in the beginning, Martyr's Cry is far more than that. I strongly suggest you read the book to find out what I mean.

I wanted to interview Larry Bohall, not only because he's written a MOST enjoyable book, but also because of his marketing skills. I feel he has experience to share that will be beneficial or enlightening.

Interview with Larry Bohall:

LJ for MBR: Martyr's Cry was a mystery and a romance with an intriguing twist. What gave you the idea to write a novel in those particular genre, Larry?

Larry: I didn't really set out to write a novel in any particular genre. I just had this image in my mind of a guy weeping, hanging onto a tombstone (which ultimately ended up in the book). It was a VERY romantic scene--the guy crying, bunch of crushed flowers at his feet, rain falling...And I asked myself, "Who is this guy? Why is he crying? And whose tombstone is that, anyway?" Finding the answers to those questions drove the development of the plot.

As for the mystery-romance thing.I'm a romantic guy at heart. Always have been. I love the great romantic movies in particular-Casablanca, Laura, A Wonderful Life, The Ghost and Mrs. Muir, Sleepless in Seattle, While You Were Sleeping. And I've always loved mysteries, ever since I discovered The Three Investigators in elementary school. So it's probably natural that this novel would contain both elements.

In some ways, being a mystery-romance has worked against the book. Mystery publishers weren't interested in it, because it had this romance thing going on.and romance publishers liked everything BUT the mystery aspect. I toyed with trying to re-write the book to fit one genre or the other, but it didn't work. I had to tell the story within me.

LJ for MBR: Getting published can be quite a challenge these days, regardless of genre or how excellent the book or writer. Your book also has a main character who is a man of faith, despite his problems with church hierarchy. And yet, he had his human frailties. I liked that touch. What prompted you to create a Bishop in a mainstream denomination for your heroic, sleuthing, romantic?

Larry: There are a number of reasons.I've always enjoyed the Father Brown stories of G.K. Chesterton, and the Father Dowling stories of Ralph McInerny, and especially the stories of Brother Cadfael by Ellis Peters.there's something appealing about the idea of confession being sacrosanct and ministers having entr�e where no one else can go (hospitals, funeral homes, etc.). And then there's the whole "good vs. evil" theme that just "goes" with having a minister as a protagonist.

However, a Roman Catholic priest (which most of the famous preacher-sleuths are) can only have a romantic interest if it is in their past--Brother Cadfael has some of that in the series. A Protestant minister, on the other hand, can have a love interest that's contemporary. And since this is a romantic mystery, and romance plays such a strong part in the storyline, I just felt my hero had to be Protestant. I thought about Anglican- Episcopalian.there are some new stories out about sleuthing Anglican priests.but I don't know enough about Anglicans for the story to be "real." However, I grew up in the United Methodist Church (it was sort of a requirement if you lived in a small town in Kansas) and I spent nearly 25 years serving United Methodist Churches as a pastor--first as a lay preacher, then as an ordained minister. I think that background allows me an authenticity that other authors might not have.

LJ for MBR: Your authorsden site gives your background as motivational speaker trained in conflict resolution among other skills. Tell us about your educational background, Larry, and do your strengths and training contribute to your ability as writer?

Larry: My undergraduate degree was in communications, with a minor in education. At that time I had hoped to one day teach in a college setting. However, life took a different course for me. I worked a variety of jobs--in a publishing house (as a stock clerk), which led to freelance writing (where I had nearly 500 articles and short stories published), later as an advertising copy writer and then an advertising director, then a contributing editor for a daily newspaper, then in advertising sales...finally as a full-time pastor (I had been a part-time lay preacher and a Christian Education Director for a large church). I headed off to Duke to get my Masters of Divinity degree, a 3-year program that I squeezed into 7 years! (I had to go part-time and worked 2 jobs to pay bills). Along the way I picked up a certification as a trainer for conflict resolution from the LEAD group (founded by John Savage)--training which definitely came in handy!

When I stopped being a full-time pastor in 1999, I went to work for CareerTrack and the Fred Pryor company. While working for them I was certified as a trainer in Microsoft Office, Excel, Desktop Publishing, and Customer Service. Recently I was certified as a trainer for The 7 Habits of Highly Effective People.

I wouldn't recommend this career path to anyone else...it's left me basically at the bottom of the salary ladder. However, it's also allowed me a wide variety of experiences to draw upon for writing and communications. I can relate to most people because I've probably worked a job just like theirs! I DO believe that every experience in our lives is "grist for the mill"--if we'll let our experiences influence us. I'm a better writer...I'm a better communicator...because of all that I've experienced. If I were teaching a writing course now (which I did about 25 years back), I'd tell my students to get out there and live--writing skills can be learned, but life has to be lived.

LJ for MBR: Wow! That's quite a resume, Larry! Now I see what makes your writing so dynamic, and why your marketing of Martyr's Cry will no doubt be effective. I know you have a step by step plan, and that much of it is in effect already. Share with our readers what you are doing and will do in way of publicity and marketing your work.

Larry: Let me recommend a couple of books: Tom and Marilynn Ross have written a wonderful book about self-publishing entitled The Complete Guide to Self-Publishing, and John Kremer has a great book, 1001 Ways to Market Your Books. I read both of these books, along with about a dozen others, to get an idea about how and where to market my novel. Anyone who reads these 2 books will have more than enough ideas...any one of which might make the critical difference in making their book a success.

Here's my plan: As soon as the book sold to the publisher, I began making up promotional things--a business card with my picture and the publisher info on it...4-color bookmark...a media kit with press releases, etc. (Kremer and Ross and help with that) I began immediately going to bookstores and giving them the card, telling them when the book was going to be out and asking if they'd like to have me do a signing (that was the hardest part, because you have to face the idea of instant rejection).

I also went to authorsden.com and set up a website and a newsletter (it's free). Then I started shamelessly signing up everyone I could for my electronic newsletter (nearly 200 names on it now).

Next I started going to all the free readings I could find...writers' groups, at bookstores, etc. That was neat, because one of the bookstores that said "No" to me had a public reading and the Community Relations Manager was quite intrigued by the book. They are still saying "No," but it's sounding more and more like "Maybe." I'm pretty sure they will say, "Yes" when the book comes out.

My next step is already underway. I've sent galleys to every reviewer I can find, along with the press kit I made up. Then I'm going to write a letter to every library in the region, with a flyer about the book and an offer to do a reading for them or participate in any author forums. That's about 600 libraries...if they each buy 2 books, I'll have sold over 1,000 copies to them alone! I'm also contacting radio and TV stations, and newspapers. And I literally take bookmarks everywhere I go. I talk to anyone I can about the book, and have lined up signings now in Missouri, Kansas and Colorado. Just waiting for the official release date to kick things into motion...

LJ for MBR: That sounds like a huge undertaking, but one that covers major outlets for your book. Your newsletter tells of participating in "open mic night" at various bookstores. Please explain what that is and how it benefits book sales.

Larry: It IS a big undertaking, there's no doubt about that. However, it's not as big as writing the book. I wrote on Martyr's Cry for 7 years before I began sending it to publishers and agents, and I spent 3 years mailing it out before Publish America bought it. So contacting folks and talking up the book is really easy compared to creating it.

One of the real surprises has been the open mic nights.Borders and Barnes & Noble bookstores sponsor those (as do many other chains), and I participate in all of them that I can. They hold them in their coffee shops, and they are open to the public-you just show up, sign the list and then read whatever you'd like. Lots of poets share their work, as do lots of prose writers (we need a name for prose writers.like "prosettes" or "pros" or something!). I was quite nervous about it at first.not sure what sort of reception I would receive. But I have found the audiences to be very gracious and supportive, and at least 1 Community Relations Manager signed me up on the spot for a book signing after I read.

What's been really surprising has been the age of the readers.lots of teen poets participate, and every open mic night I've attended has little kids doing readings (we're talking 4 or 5 years old!). People get up to read from their favorite authors, sometimes they sing, several people bring background music with them, and lots of people take pictures. They are just lots of fun.

There are a couple of ways to find out about them. You can stop at the Customer Service Desk at your favorite chain store and ask if they sponsor open mic nights. If they do, they'll tell you. If they don't, your inquiry might encourage them to start. Or, you can go to the chain's website and do a search under "Events" for "Open Mic Nights." That's how I found out about Borders' events.

Other places to check: independent stores often hold them (especially the big indies, like The Tattered Cover in Denver), public libraries and local colleges. I will be participating in an open mic night next month at our local college. They host 1 every month. I found out about it by reading the weekly arts insert in my local newspaper.

When you go, take LOTS of bookmarks, and hand them out to EVERYONE. I've given out more than 100 bookmarks at these readings, and I autograph all of them. You should also pick the most exciting part of the book you can, and I always stop reading right in the middle of the action (the crowd always gasps when I quit, and people stop me on the way to sit down, asking "What happens next?"). My hope is people will be so intrigued that they will go right to the customer service desk and ask for a copy of the book. This nice thing about these events is they give you a chance to practice and say, "Hmmmm. THAT part of the book really doesn't work well for a public reading."

LJ for MBR: As a book reviewer I read many good books by talented authors. For the most part, small presses are doing an excellent job of presenting new and promising writers. For an unknown, not famous author to be recognized by major houses these days is a rare occasion. Do you mind sharing your thoughts on publishing in general, and on the agent seeking process, which is equally daunting?

I had an agent at one point in my career. She was great. Unfortunately, she wasn't able to open many doors for me. When she left the profession, I cast about for another, but couldn't find one. I'm hoping that Martyr's Cry will help me land with one.

I shopped Martyr's Cry everywhere I could think of...it has a strong faith component (how could it not, when the main character is a minister?), but it wasn't "religious" enough for the religious press (which is an incredibly fast growing segment of the publishing world these days)...it was too romantic for straight mystery publishers, and too mysterious for straight romance publishers. Being neither "fish nor fowl" as it were, I had a terrible time finding a publisher. It was the small press that salvaged the book. Unfortunately, small press often means small sales.

20 years ago there were more major publishers around...more opportunities for writers...just as there were more markets for short fiction, articles, etc. Publishing has seen some tremendous contractions as major house after major house has merged or folded. Now there are just a hand full of major players, and all they are interested in are the big names with proven track records--which seems extremely short-sighted to me. I mean, who will develop the new talent to replace the old, if all they care about are authors who have already sold millions of copies?

In the same way, the big thing with agents are the mega-deals...multi-book projects with proven authors. They want to put together the next Kent Family Chronicles or Left Behind series. What they forget is that until Kent Family Chronicles, John Jakes had been a mid-list author at best. And Jerry Jenkins had never had a bestseller until Left Behind. Both had lots of experience, but no big sales. Had these agents applied the same criteria to these authors that's being applied to us, there would never have been a Kent Family Chronicles or Left Behind series to emulate.

Authors are in that catch-22: don't bother me until you get sales...hundreds of articles published (as I had), along with editorial and/or advertising experience? Who cares. We need books sold. Hundreds of thousands of books. Until you prove you can sell, we aren't interested. Problem is, if no one's willing to risk, no sales will happen.

Still...I'm living proof that it CAN happen...and thousands of new books come out every month. I'm an optimistic guy (as well as a romantic one), and I believe if you keep knocking on the doors, someone will hear. Certainly worked for Frank Peretti. He spent 10 years trying to sell his first novel. Every publisher he could find said no...some more than once. Then, finally, someone said yes, and the multi-million seller, This Present Darkness, was the result. So don't give up. I recommend new authors try new agents and new publishers. Try the small presses. Network. Find a friend who has an agent and or publisher and get them to introduce you and your work. I'm attending a writer's conference this October SPECIFICALLY to see if I can interest an agent in me. And I'm working hard at promoting this first novel SPECIFICALLY to show that I CAN build sales. I adopted this philosophy early in my writing career: I don't have the sale right now, so I lose nothing if they say no...but they MIGHT say yes. It helps me stir up the courage to ask and keep on asking.

LJ for MBR: Yes, keep writing and hoping. This world needs a dose of hopeless romantic mixed with mystery every so often. And that last statement was a thinly veiled hint, Larry. With everything else you do, have you thought about or started a follow up to Martyr's Cry?

Larry: I have the next 2 books in the series plotted out, and I have a few pivotal scenes for the second book in my head, but I haven't written anything on it yet.

What I HAVE been working on is a science fiction novel...a romantic ADVENTURE this time. Strong heroine who saves a primitive world from an onslaught by a technically superior invading force...with a healthy dose of romance thrown in (she saves the world, beats the bad guys and wins her man--what more could one want?). I think it's a little like A Princess of Mars, by Edgar Rice Burroughs, except the lead character is a woman. I hope to wrap it up in rough draft form by Christmas. Then I'll launch into the second novel in the Martyr's Cry series. However, Bishop Hunter, the lead character in Martyr's Cry, keeps popping up. It's possible I might put the s-f book aside and work on book 2 instead.

One of the things I'm struggling with right now is the temptation to work on promoting Martyr's Cry instead of other writing. Frankly, it's more fun to do the promotional stuff, and the release date is almost here. But I know that if I don't stay disciplined and keep writing, Martyr's Cry will be my first and last novel (and I don't want that to happen!).

LJ for MBR: No, I don't want you to stop writing either! Keep those books coming.

That's all I have Larry. Is there any question you wish I'd have asked or anything more you'd like to share with our readers?

The publishing world is changing so quickly. E-books have not become the success originally envisioned (there's something satisfying about actually holding a book in your hands...about turning pages...about the smell of paper...that e-books do not have), and I don't believe they ever will, but digital printing is the wave of the future. Traditional publishing houses and distributors are embracing it now, and it will only grow as we move into this new century.

That, alone, is going to open new opportunities for poets and writers. The costs of producing books will drop as the technology spreads, and the speed with which books can come to markets will increase. All of which means writers should never, EVER, give up. There ARE paying markets out there for your work. And there are fans clamoring for your material. So write, submit, and embrace the future.

LJ for MBR: Thanks for leaving us on that optimistic note, Larry. And thanks also for taking time to talk with me. I appreciate it.

Learn more about Larry D. Bohall at his website, www.authorsden.com/larrydbohall.

Landlocked Sailors: A Pike's Marina Novel
Dave Bednar
iUniverse Inc.
5220 S. 16th, Ste. 200, Lincoln NE 68512
ISBN 0595157521, 220 pp, $12.95, paperback

In this first book of the Pike's Marina series, Dave Bednar establishes himself with a distinct voice as wordsmith and story teller. Landlocked Sailors not only has murder, action and suspense, but appealing prose describing the Erie PA locales. And it's all tied up into a neat package with quirky characters, realistic dialog, and humor.

Thomas Teague is one of the main characters, ex-special agent in the U.S. Naval Investigative Service looking for a quiet place to light. Teague is a wounded warrior, stoically bearing the aftermath of injuries that forced his retirement. All he wants is to charter out his boat to tourist types, admire Beth Osgood from a safe distance, and be left the hell alone. Teague enjoys quiet thoughts about his hero-father's days in WW II and listening to Glenn Miller music. He leads a purposely solitary life in hopes his past won't find him.

Jack Crevalle is the exact opposite of Teague. Crevalle has a heroic background of his own in the Coast Guard, but hides such courage well beneath a devil-may-care facade. Jack lives on his boat, playing loud music that grates on Teague's nerves, raucously enjoying one night stands that keep his boat rocking in its slip at Pike's Marina. Jack drinks too much, happily flaunts his appetite for females, and talks too loud. Still, there's something likable about the guy.

Beth Osgood's father owns Pike's Marina. Recently divorced, she's come back home to Erie to reclaim the safe and stable kind of life she's always known. Crevalle's crass ways turn her off completely, but she's more than just a bit intrigued by the quiet, world-worn Thomas Teague. Beth is a knockout - smart, feminine, athletic, self-assured - but fits into the odd group of folks at Pike's Marina like she's just one of the boys.

When the sweet natured, self-appointed security guard for Pike's Marina is bludgeoned to death for no apparent reason, this group and their friends set out to find answers. Everyone loved the murdered Liam, especially Beth and Teague. Who could possibly have reason to snuff out an innocent like Liam?

Finding the murderer won't be an easy task. The Great Lakes Sails Festival begins the same day as the murder and Erie is packed with tourists and sailors from around the world. Teague has a hunch that his past has returned to haunt him. He's soon proven right when an old nemesis shows himself. No one is safe from Russell Zurkis, whose history of insanity and murderous inclinations have joined forces to eliminate Thomas Teague and anyone he cares about. The gang will have to go some to escape the crazy Russell's wrath.

I give this book a hearty recommendation, for all the aforementioned reasons and more. Mr. Bednar has a fine beginning here, and I eagerly anticipate the second in his Pike's Marina Series. Look for a review of that second book to follow this one. Count your lucky stars, readers, because both Landlocked Sailors and Fish or Cut Bait have been released as of this writing.

Fish Or Cut Bait: A Pike's Marina Novel
Dave Bednar
iUniverse, Inc.
5220 S. 16th, Suite 200, Lincoln NE 68512
ISBN 0595223265, 248 pages, $14.95

This second in Dave Bednar's Pike's Marina series is a winner! He reprised the characters from Landlocked Sailors, much to my delight, and added a few new wrinkles to keep his readers hooked. And like his first book, the author's writing style is crisp and stylish.

Fish Or Cut Bait begins a year from where Landlocked Sailors left off. Thomas Teague is back, still admiring Beth Osgood from a safe distance. Detachment from desire is more difficult this time around since Beth is now the first mate on his fishing boat, The Ancient Mariner. Beth has made Teague her main goal in life and makes it clear, in thought if not in actions, that one way or another she will hook her silent friend. Their rakehell pal, Jack Crevalle, is still wearing oddly decorated boxers everywhere he goes and bedding brunettes on his boat, the Seadawg. Teague's father - the aging, crafty WW 2 hero - has now joined ranks and is part owner of Pike's Marina. It's a draw as to which Pike's owner is the most curmudgeonly and canny - Teague's father or Beth's. All in all, they make a fine mix of characters that play off each other realistically. The Erie PA locales are described so realistically that I could see, feel, and smell the fog and air blown in across the lake.

This book begins with mysterious happenings on Lake Erie. On a fog enshrouded day, a boat is lost and finally towed in by the Coast Guard, minus passengers. Jack Crevalle is troubled by the situation As the Pike's Marina friends look on, hoping for word of survivors, Gina Cachinni appears to them from the fog and sends Jack's carefree life into a tailspin. Gina is the original brunette, Jack's first and only serious love, the one who broke their engagement to marry another, much richer man. To Jack, Gina represents a crack in time, a crack in his soul, a loss from which he never quite recovered.

All passengers aboard the foundered boat, the C-Dog, are lost and turn up dead not long after. Thomas and Ray Teague's suspicious military minds kick in at the obvious similarity between C-Dog and SeaDawg and the thought occurs that Jack may have been the target. Thomas, in particular, fears Gina may not be the sweet devoted long lost lover she pretends.

Gina quickly resumes her old relationship with an unusually reluctant Jack, while flirting with every male around, much to Beth's dismay. The petite and pretty Gina has big plans for Thomas Teague. She'll need accomplished heroes like Thomas and her ever-reliable Jack when the murderous Marvin Gardens aka Biggie Big comes in search of her! Her checquered past is rapidly zeroing in on Pike's Marina, and she knows it.

It's a heart pounder, with Thomas calling in old favors from his military contacts, and coming up against a killer twice his size. Jack also takes part in the battle, in his own inimitable style, as the friends from Pike's Marina work together to survive this latest plot to do them in.

Fish Or Cut Bait is a great read, as was its predecessor. Dave Bednar's novels have realistic, wry and witty dialog, sometimes prickly humor, and characters who bring the story home in spades. I hope to see a third in this Pike's Marina series soon. One question begs an answer, Mr. Bednar. Will the more-than-patient Beth Osgood EVER get her man?

Interview with Dave Bednar:

I wanted to interview Dave Bednar because I enjoyed his first two books so much, and because he uses familiar locations to his best advantage when writing fiction.

LJ for MBR: Someone wise once said, "Write what you know." You have done that much and more with Landlocked Sailors and Fish Or Cut Bait. To begin with, tell our readers about your background, your affinity for stories about uncommon heroes who sail Lake Erie as fisherman, and your obvious love of the locale you chose for your books.

Dave: I'm not positive, but I believe the "Write what you know" came from Hemingway, who I read quite a bit in my younger days and continue to read these days. He also made comments about "Remember the weather" and "When a man feels at home other than where he was born, it is where he is meant to be." I was born in suburban Pittsburgh, in the shadows of steel mills and an amusement park. The steel mills taught me two things: (1) what it means to work hard, and (2) that I wanted to get an education so I could work in a safer environment. The amusement park (Where I worked summers in high school and college -- University of Pittsburgh, BS in Computer Science, 1984 -- to pay for my education) taught me that having fun, laughing, relaxing, and escaping are as important to life as hard work.

Being a steel working family, we did not have the cash at hand for long, exotic vacations. Typically we'd pack the family car and drive the 130 miles from our place to Lake Erie, where we would fish, camp, hike, and escape. For as long as I can remember, Erie has been part of my life: I've been asked numerous times why I'm drawn to water (whether it be fresh or salt) and I honestly can not explain it.

Now, as to the "Remember the weather" comment, I can remember winters in Pittsburgh where we'd hear the horror stories about the latest blizzard to hit Erie. I remember trying to imagine what the beaches and streams looked like covered with snow, and when I grew old enough to do so, I began taking trips to Erie in the winter to see what it looked like. In addition to the snow, there were hearty souls who acted as if several feet of snow were nothing. So strong willed people, like steel workers and those who can put up with unlikely weather, became heroes to me. This led to a fascination with others strong in spirit, like the police, fire fighters, professional fishermen who risk their lives so we have something on our table, the military, and the Coast Guard. Somewhere along the line I began developing stories in my mind for them, and then later, on paper. My wife, Catherine, and I eventually decided it was time to take Hemingway up on his quote, and so we moved to Erie and settled in just fine.

LJ for MBR: That was a candid explanation of who you are, and what brought you to your current place in life as published writer. Has it been a long road - getting published - or did it happen quickly? Tell us about the process of publication from your standpoint.

Dave: I've written on and off for quite a few years, but began doing so seriously about 12 years ago, after the death of my father. The first book I completed featured Jack Crevalle, now hero of the Pike's Marina Series. I landed a literary agent rather quickly, and figured I was on the road to stardom. About a year later, the agent went out of business and I was still an unpublished writer. As I look back at it now, I'm glad the book wasn't published, because, well, it wasn't good. I spent a few more years and came up with a mystery series that featured a group of hunters. Success with a literary agent again, but again, no publisher. Similar things went on for years. I probably received over a hundred rejection letters for various things I wrote. When Landlocked Sailors was complete, I was shopping it around and one day received two rejection letters on the same day. The first said that the setting and characters were great, but the story was weak. The second said the story was great but the setting and characters were weak. I literally stopped writing for close to a year after that. Then I gave it one more try and came upon my current publisher, and well, things have been going good since.

LJ for MBR: I'm sure that every writer, published or otherwise, can relate to that scenario! When the rejection letters say anything at all that isn't an over-copied copy of a form letter, the responses always seem conflicting.
Your characters, setting, and premise in both books are anything but weak.
Which is my sneaky way of leading into the next question. WILL there be more novels in the Pike's Marina Series? If so, how far advanced is number three? I'm fairly positive than anyone who read them will want to hear your answer

Dave: I'm two chapters into book 3. So far, no title, but I can tell you I'm trying something rather different: setting the book in winter. This presents a few challenges for me. For one, the bay will be frozen as will most of the lake, so the charter fishing business (and the marina) are definitely out of the picture. Plus, Jack Crevalle spends his winters fishing in Key West, Florida. So I have to somehow or another get Jack to leave the warm Keys for frozen Erie. I also need to figure out his wardrobe. I just can't see Jack wearing nothing but boxers when the icy winds come out of Canada and make the day-time temperature sit in the single digits. These challenges, hopefully, will make the third book nice and fresh. I plan on keeping the series alive as long as readers are interested, and I can keep from repeating myself.

LJ for MBR: As a die hard Pike's Marina fan now, I know there are very few people or reasons that would draw Jack from the Keys to Erie in the winter. I'm confident you'll figure out a way!

I said in the review that your writing is stylish. You don't mimic any other writer's style, and yet a sense of adventure shines through as it did with Hemingway. Did you study writing or English composition other than in High School, or did this ability of yours to craft a story come naturally?

Dave: I had one writing class in college and hated it. Everyone in the class was trying to be "literary" while I was writing stories for fun. Later, I took some writing classes at a community college, one of those 'adult continuing education' sort of things. That was fun because the other writers were people just telling stories, too. I have to say though, that my writing "style" (if you will) is really just the way I speak when I'm telling someone a story. There are quite a few story tellers in my family, and I've always admired them. So, I guess in answer to your question, my education in writing is sort of a hodgepodge. Which, now that I think of it, sort of makes sense because I read a wide variety of authors and like a wide variety of people and activities.

LJ for MBR: I've gleaned from reading your press releases and checking your website that you have had, at the very least, regional success with your books. What advice, if any, would you give to authors in the first stages of seeking publicity and marketing their work? It seems to me you've been quite successful at it.

Dave: Two things have really helped me out so far, (1) persistance, and (2) a strong belief in my books. I've learned to be my biggest critic before the books are published, and then their strongest supporter. This advice was given to me by the owner of an independent book store (Erie Book Store, Erie PA). The Erie Book Store was my first stop; I figured I had a better chance of getting attention there than at one of the chains. Since my books are also set in Erie, things worked out well. I then checked with the owner for advice on what to do next, and basically followed her lead. She had contacts at the local paper and got me in touch with them. I knew of a guy on one of our local talk shows, and called him up and pitched my books to him. He had me on the air and hooked me up with a buddy of his on TV. So far so good.

Now it was time to go to the "chain stores." I was received quite warmly at one, but the other was less than thrilled. The same thing happened when I expanded into other local media, and then regionally. I email a lot of newspapers and radio stations in the area, then follow up with another email if I don't hear anything from them. If that doesn't work, I basically ask myself how badly do I want to be in their paper or on their station. If the answer is strong, I'll follow up with a letter with reviews, and then a phone call or two. Sometimes it works out, sometimes it doesn't. I just keep plugging until I feel I've exhausted a place, then try elsewhere.

That's really it for me. I'm a persistent, yet polite pain. Sometimes it works, sometimes it doesn't.

LJ for MBR: That was a very helpful answer, Dave. You are blessed to have a book store owner who believes in you and your work strongly enough to assist with media contacts. And I liked the reference to a "persistent but polite pain"!

I know very little about your publisher. Do you mind sharing some of your experience with iUniverse? Was it a relatively simple process? And how long was your wait between manuscript acceptance and publication. Tell us anything you think might benefit other authors searching for a home for their creations.

Dave: iUniverse is a POD (print on demand when books are ordered) publisher. They have several publishing programs, each of which is tailored toward the writer's goals and needs. I selected the "Writer's Showcase" option, which basically means my book was professionally reviewed and then accepted (in my case) or rejected for publication. The publisher gets the book out to major distributors (like Ingram) and online stores (like Amazon, B&N, and Borders, among others). After that, it's pretty much up to the author. Benefits of the publisher for me have been good customer service, a high quality product, and discounting plans that are acceptable to most retailers. Another huge (and obvious) benefit to me is that they believed in my work and gave me the chance.

LJ for MBR: I think that's all the questions I have, Dave. But I like to ask the people I interview if there is any question you wish I would have asked, or any other information you want our readers to know?

Dave: I really don't have anything to add. I thought your questions were very good, and hope you thought the same of my answers.

LJ for MBR: Thanks for taking time for the interview, Dave. One last note before I go. More information about Dave Bednar and his books can be found at www.davebednar.com.

I wanted to interview the owners of Avid Press because they have a large number of authors signed for a small press, and they have rather specific genre guidelines. The owners of Avid Press are Colleen Schulte and her sister Kate Gleason.

LJ for MBR: Let me begin by asking how long Avid Press has been in operation. When did you begin your publishing venture, and why?

Colleen: We began accepting submissions in May 1999, and released our first titles in September and October 1999. We began this business with a simple, single goal: to promote and publish works of talented authors that might be overlooked by large publishing houses. There are lots of talented writers out there--we wanted to give them a chance.

LJ for MBR: Your goal of "publishing and promoting the works of talented authors overlooked by large houses" is more than just lip service. I say that because your website lists 28 authors under contract and a respectable size backlist for a small press in business for 3 years. Tell our readers the genre Avid prefers and what procedure you follow in choosing manuscripts.

Colleen: We focus on the most popular of genre fiction--the largest markets of romance and mystery. But, we actually drill deeper into those genres and have published books that push the limits of those genres and are unique for that reason. Our titles that fall into the category of romance or mystery are not necessarily what the average reader of those types of books would get from larger houses--not that they wouldn't *want* them, but they can't *find* them!

For example, some of our best-selling books are a series of vampire romances with a touch of erotica and humor. These books fly off the proverbial shelves and the readers love them--because they can't find stories like this anywhere else. We have found a niche that some of the larger housese can't meet because they are bound by their own guidelines and market research. We are filling a void.

Another example is that of the traditional gothic romance novel-- think Victoria Holt or Mary Stewart or Barbara Michaels. Readers can't get enough of those types of books...but I can't find them on shelves published by mainstream houses. We have two novels that fall into what I would call a "modern gothic" in the tradition of those masters...and they have been so successful for us that we are unveiling a line dedicated to gothic romances--both contemporary and historical. We're calling the line Eyrie (after Jane Eyre, the ultimate gothic romance).

One more example--one of our most lauded mystery series features Inspector Rick Terry, a homosexual homicide detective in London. These novels are written with the flavor and flair of Elizabeth George, but are certainly off the beaten path. Our readers love them as well; and in fact we were prompted to release our first hardcover book last year for the second in the series.

In short, we look for genre novels that are unique and fill a need that the larger houses may not supply. We also publish other titles that are not quite as unique, but are well-written with fully plotted stories and often unusual settings. We publish books we love and books we would want to read. In fact, we tell prospective authors that that's what we look for: books they've written because they're ones they would want to read.

We don't publish short, category romance novels--that's not our niche. We leave that to Harlequin, the master. We also are very selective on the mysteries (mostly series) that we publish--we get lots of submissions, and only publish a few of them. Our focus is on fiction for women (most of our books fit that market; though not all).

LJ for MBR: Another positive aspect of Avid Press is that you evidently publish books in paperback as well as e-book format to start. As a writer, I appreciate that because I want to hold my books in my hands. In general, how long is the timespan between your acceptance of a manuscript and the release date?

Colleen: We actually started out with the concept of epublishing only; but quickly came to the conclusion that, since epublishing wasn't--and still isn't--a mainstream medium, we wanted to go a step further. We wanted to make our books available to as many readers as possible.

As far as timing from acceptance to publication: it varies greatly from four months to twelve months or more. It depends on many factors- -time of year (eg, we try and put the vampire books out around Halloween), backlog of production titles, and current releases (eg, we wouldn't put out three mysteries in a row; we'd mix them in with a few romances).

LJ for MBR: I like that - making books available to as many readers as possible. I realize that marketing requires a great expenditure in time, energy, and money. It's a task that more and more publishers require the author share these days, including major houses. Along those lines, does Avid do anything in the way of promoting or placing the books you represent?

Colleen: You are exactly right in that marketing and promotion has become a shared task and expense for both the publisher and the author. As a small press, we expect probably more from our authors in that way than the larger houses.

In the realm of marketing and promotion, we recently began a campaign with a national magazine dedicated to female readers--our basic market- -and our first national ad will break in late August. We plan ads every 3-4 months with this publication, which goes directly to our audience--you couldn't ask for a more targeted campaign! We do some email marketing (permission-based), some other internet promotion, we offer a small catalog, and other ad hoc items as they become available.

This step in formulating a broad, national campaign was a big one for us, and one that we are expecting a good return on. We will make decisions about other broad awareness campaigns based on the efficacy of this one.

LJ for MBR: Marketing is one slice of the pie when it comes to a successful product. Cover art and pricing are also integral parts of that package. The covers of the books you sell are quite appealing, and the pricing is comparable to most publishers your size. Tell us how your covers are created, and what variables affect your pricing.

Colleen: Thank you for the compliments on our covers! We are very proud of them, and boast awards and citations for some of the artwork.

The cover concept is usually something that comes from a dialogue between the editor and the author--we try to take the author's ideas into account as much as possible. We have several different sources for our covers--we have created some internally (eg, Della, Hunter's Song, Dead Wrong) and use different artists for others.

Regarding the pricing: we certainly try to make our books appealing to readers used to purchasing mass market sized books at the price point of between 5.99 and 6.99. It's hard to compete with the big houses when they have the capability of producing books for cents on the dollar, and on our small scale, the per-unit cost is much higher--although with the advent of digital printing, it's actually much better than it was when we started in this business three years ago.

There are some books that lend themselves to mass markets and we price them accordingly; and others that are more appropriate for trade-sized paperbacks--and, again, we price them based on the market price-points.

LJ for MBR: Since you are still a young company, I'm sure you keep a close eye on the bottom line. You have to if Avid is to survive and thrive long term. On the subject of expenses, how do you handle royalties? And are there ever up front payments to an author?

Colleen: Our boilerplate contract is placed on our website for any prospective author to review. We don't discuss specific financial arrangements until an offer has been made by us to publish a book, but the standard contract identifies that we pay royalties based on net price received,and it identifies our standard royalty rate--which differs between e-books and print books. As far as advances: there have been situations where they have been part of a discussion with an author, but they are not a part of our standard contract.

LJ for MBR: We've heard a bit about your basic philosophy and your past and present vision and you touched on possible future marketing plans. If all goes as projected, what are some other future, long term goals for Avid Press? Or is that the sort of thing businesses prefer to keep secret?

Colleen: Our main goals right now are to build a brand awareness for Avid Press through this national marketing campaign, and to develop more direct-customer relationships. We continue to make selections on titles that fit the niches that we have found successful for our company, and to allow titles that don't to go out of print. In short, in the last three years, we've learned what works and what doesn't and we're focusing on what works.

We recently announced the elimination of two lines (our non-fiction and young adult lines) and the addition of two more (gothic romance and a woman's erotica line, RISQUE) based on the responses of our readers. We are excited about the titles that will fill these lines (although we're still looking for more!) and hope

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